The pleasure in looking at Lee’s complete oeuvre comes from recognizing how this modest filmmaker’s visual style continues to evolve and adapt: from the structurally clean compositions of This Charming Girl (2004) to the rich, high-density images of Ad Lib Night (2006); from the spare, awkward scope frames of Love Talk (2005), and, finally, to the sleek, clever widescreen two-shots in My Dear Enemy. More at The House Next Door.